When setting myself the task of writing multiple films for Cardiff Mini Film Festival, I formulated many of my ideas, not by thinking of a social issue I’d like to tackle or a theme I’d like to convey, as has often been my method in the past, but by picturing a striking image and then forming the plot and the theme around that. It’s a method I plan to employ regularly from now on as it produced great results; showing memorable imagery is equally as important to a film’s success as meaningful substance. Bob (script) was one such film for which I used this method. Another was Goldfish, which originated from the image of a man staring into a goldfish bowl. The image Bob originated from was that of a grown man on a park bench, holding a red balloon. Once I had this image, it led to questions such as why would a grown man carry a balloon, and what could this symbolise? The themes of insecurity, benevolence, and release developed from this.
Bob carries his red balloon everywhere he goes, even though it prevents him joining in and causes him to be teased. But is it the balloon he needs to let go of, or something else?
Inspired to produce something simple to suit Cardiff Mini Film Festival’s criteria, I wrote Goldfish; a script based around the protagonist’s confined environment. It illustrates how you can miss out on life by not breaking from routine; paralleling the life of the protagonist stuck in his tiny flat with that of his goldfish. Although the premise was simple, I felt the production would benefit from some expert lighting and colour grading to further highlight these parallels and enhance the slightly surreal tone. For this purpose, I brought onboard Steven Owen, whose lighting served Bamboo House so well, and his associate Jack Longley. Both proved invaluable.
Huw lives a life of routine, never leaving the familiar environment of his flat. In an odd break from tradition, it’s up to his pet goldfish, Gil, to put an end to his static lifestyle.